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Love’s Labour’s Lost

ACT IV SCENE IThe same.
Enter the PRINCESS, and her train,
a Forester, BOYET, ROSALINE, MARIA, and KATHARINE.
PRINCESSWas that the king, that spurred his horse so hard
Against the steep uprising of the hill?
BOYETI know not; but I think it was not he.
PRINCESSWhoe’er a’ was, a’ show’d a mounting mind. 5
Well, lords, to-day we shall have our dispatch:
On Saturday we will return to France.
Then, forester, my friend, where is the bush
That we must stand and play the murderer in?
ForesterHereby, upon the edge of yonder coppice; 10
A stand where you may make the fairest shoot.
PRINCESSI thank my beauty, I am fair that shoot,
And thereupon thou speak’st the fairest shoot.
ForesterPardon me, madam, for I meant not so.
PRINCESSWhat, what? first praise me and again say no? 15
O short-lived pride! Not fair? alack for woe!
ForesterYes, madam, fair.
PRINCESSNay, never paint me now:
Where fair is not, praise cannot mend the brow.
Here, good my glass, take this for telling true: 20
Fair payment for foul words is more than due.
ForesterNothing but fair is that which you inherit.
PRINCESSSee see, my beauty will be saved by merit!
O heresy in fair, fit for these days!
A giving hand, though foul, shall have fair praise. 25
But come, the bow: now mercy goes to kill,
And shooting well is then accounted ill.
Thus will I save my credit in the shoot:
Not wounding, pity would not let me do’t;
If wounding, then it was to show my skill, 30
That more for praise than purpose meant to kill.
And out of question so it is sometimes,
Glory grows guilty of detested crimes,
When, for fame’s sake, for praise, an outward part,
We bend to that the working of the heart; 35
As I for praise alone now seek to spill
The poor deer’s blood, that my heart means no ill.
BOYETDo not curst wives hold that self-sovereignty
Only for praise sake, when they strive to be
Lords o’er their lords? 40
PRINCESSOnly for praise: and praise we may afford
To any lady that subdues a lord.
BOYETHere comes a member of the commonwealth.
Enter COSTARD.
COSTARDGod dig-you-den all! Pray you, which is the head lady?
PRINCESSThou shalt know her, fellow, by the rest that have no heads. 45
COSTARDWhich is the greatest lady, the highest?
PRINCESSThe thickest and the tallest.
COSTARDThe thickest and the tallest! it is so; truth is truth.
An your waist, mistress, were as slender as my wit,
One o’ these maids’ girdles for your waist should be fit. 50
Are not you the chief woman? you are the thickest here.
PRINCESSWhat’s your will, sir? what’s your will?
COSTARDI have a letter from Monsieur Biron to one Lady Rosaline.
PRINCESSO, thy letter, thy letter! he’s a good friend of mine:
Stand aside, good bearer. Boyet, you can carve; 55
Break up this capon.
BOYETI am bound to serve.
This letter is mistook, it importeth none here;
It is writ to Jaquenetta.
PRINCESSWe will read it, I swear. 60
Break the neck of the wax, and every one give ear.
Reads.
BOYET‘By heaven, that thou art fair, is most infallible;
true, that thou art beauteous; truth itself, that
thou art lovely. More fairer than fair, beautiful
than beauteous, truer than truth itself, have 65
commiseration on thy heroical vassal! The
magnanimous and most illustrate king Cophetua set
eye upon the pernicious and indubitate beggar
Zenelophon; and he it was that might rightly say,
Veni, vidi, vici; which to annothanize in the 70
vulgar,–O base and obscure vulgar!–videlicet, He
came, saw, and overcame: he came, one; saw two;
overcame, three. Who came? the king: why did he
come? to see: why did he see? to overcome: to
whom came he? to the beggar: what saw he? the 75
beggar: who overcame he? the beggar. The
conclusion is victory: on whose side? the king’s.
The captive is enriched: on whose side? the
beggar’s. The catastrophe is a nuptial: on whose
side? the king’s: no, on both in one, or one in 80
both. I am the king; for so stands the comparison:
thou the beggar; for so witnesseth thy lowliness.
Shall I command thy love? I may: shall I enforce
thy love? I could: shall I entreat thy love? I
will. What shalt thou exchange for rags? robes; 85
for tittles? titles; for thyself? me. Thus,
expecting thy reply, I profane my lips on thy foot,
my eyes on thy picture. and my heart on thy every
part. Thine, in the dearest design of industry,
DON ADRIANO DE ARMADO.’ 90
Thus dost thou hear the Nemean lion roar
‘Gainst thee, thou lamb, that standest as his prey.
Submissive fall his princely feet before,
And he from forage will incline to play:
But if thou strive, poor soul, what art thou then? 95
Food for his rage, repasture for his den.
PRINCESSWhat plume of feathers is he that indited this letter?
What vane? what weathercock? did you ever hear better?
BOYETI am much deceived but I remember the style.
PRINCESSElse your memory is bad, going o’er it erewhile. 100
BOYETThis Armado is a Spaniard, that keeps here in court;
A phantasime, a Monarcho, and one that makes sport
To the prince and his bookmates.
PRINCESSThou fellow, a word:
Who gave thee this letter? 105
COSTARDI told you; my lord.
PRINCESSTo whom shouldst thou give it?
COSTARDFrom my lord to my lady.
PRINCESSFrom which lord to which lady?
COSTARDFrom my lord Biron, a good master of mine, 110
To a lady of France that he call’d Rosaline.
PRINCESSThou hast mistaken his letter. Come, lords, away.
To ROSALINE.
Here, sweet, put up this: ’twill be thine another day.
Exeunt PRINCESS and train.
BOYETWho is the suitor? who is the suitor?
ROSALINEShall I teach you to know? 115
BOYETAy, my continent of beauty.
ROSALINEWhy, she that bears the bow.
Finely put off!
BOYETMy lady goes to kill horns; but, if thou marry,
Hang me by the neck, if horns that year miscarry. 120
Finely put on!
ROSALINEWell, then, I am the shooter.
BOYETAnd who is your deer?
ROSALINEIf we choose by the horns, yourself come not near.
Finely put on, indeed! 125
MARIAYou still wrangle with her, Boyet, and she strikes
at the brow.
BOYETBut she herself is hit lower: have I hit her now?
ROSALINEShall I come upon thee with an old saying, that was
a man when King Pepin of France was a little boy, as 130
touching the hit it?
BOYETSo I may answer thee with one as old, that was a
woman when Queen Guinover of Britain was a little
wench, as touching the hit it.
ROSALINEThou canst not hit it, hit it, hit it, 135
Thou canst not hit it, my good man.
BOYETAn I cannot, cannot, cannot,
An I cannot, another can.
Exeunt ROSALINE and KATHARINE.
COSTARDBy my troth, most pleasant: how both did fit it!
MARIAA mark marvellous well shot, for they both did hit it. 140
BOYETA mark! O, mark but that mark! A mark, says my lady!
Let the mark have a prick in’t, to mete at, if it may be.
MARIAWide o’ the bow hand! i’ faith, your hand is out.
COSTARDIndeed, a’ must shoot nearer, or he’ll ne’er hit the clout.
BOYETAn if my hand be out, then belike your hand is in. 145
COSTARDThen will she get the upshoot by cleaving the pin.
MARIACome, come, you talk greasily; your lips grow foul.
COSTARDShe’s too hard for you at pricks, sir: challenge her to bowl.
BOYETI fear too much rubbing. Good night, my good owl.
Exeunt BOYET and MARIA.
COSTARDBy my soul, a swain! a most simple clown! 150
Lord, Lord, how the ladies and I have put him down!
O’ my troth, most sweet jests! most incony
vulgar wit!
When it comes so smoothly off, so obscenely, as it
were, so fit. 155
Armado o’ th’ one side,–O, a most dainty man!
To see him walk before a lady and to bear her fan!
To see him kiss his hand! and how most sweetly a’
will swear!
And his page o’ t’ other side, that handful of wit! 160
Ah, heavens, it is a most pathetical nit!
Sola, sola!
Shout within.
Exit COSTARD, running.

Love’s Labour’s Lost, Act 4, Scene 2

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